Starship 19 - Spring 2020
Starship 19 - Spring 2020
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artists contributions by John Boskovich, Elijah Burger, Simon Denny,
Cornelia Herfurtner, Yuki Kimura, Vera Palme, Nora Schultz, Jack Smith;
and by Rosa Aiello, Carter Frasier, María Galindo, Samuel Jeffery & Daniel Herleth,
Elisa R. Linn, Paul B. Preciado, and Haytham El-Wardany
introducing new columnists: Mihaela Chiriac, Michèle Graf & Selina Grüter, Julia Jung,
The Parliament of Bodies, and Ulla Rossek
and our columnists: Tenzing Barshee, Gerry Bibby, Mercedes Bunz, David Bussel,
Eric D. Clark, Jay Chung, Hans-Christian Dany with Valérie Knoll, Francesca Drechsler,
Stefanie Fezer & Vera Tollmann, Julian Göthe, Karl Holmqvist, Stephan Janitzky,
Jakob Kolding, Lars Bang Larsen, Ariane Müller with Huang Rui, Robert M. Ochshorn,
Mark von Schlegell, Max Schmidtlein, Amelie von Wulffen, and Florian Zeyfang
and artworks by Melvin Edwards, Elizabeth Ravn, Nong Shoahua, and Mark van Yetter
Dear friends,
However much previous iterations may have joyfully detoured, escaping the suggestion of an introduced preoccupation, slipping into other orbits, we did not enter into this issue with a central theme. #19's prefered entry into this nominally new decade is with a de-centred face, including a slight shift/glitch in our format that's been around since Henrik and Nikola set re-start on the magazine. Borrowed from the new or old, or projecting an altogether non-face, this might be a mask if we're to take Jack Smith's lead. If it has organs that better sense the world around it differently, these might be submerged, sensing other spaces, as Nora Schultz's cover and contribution reminds us. Swimming throughout these pages, fragments of surfacing whales
make contact with a conversation between women who talk about women; confront the social deviations of a (dis)behaving inside outsider; locate the violence of a cage designed for a worker's optimized productivity from a distance... & even senses a lamenting allegory about dogs in a desert without language. Before returning to what lies beneath the surface, leaving it for the activities of painters and poets.
Gerry Bibby, Mihaela Chiriac, Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen
(from the editorial)
Cornelia Herfurtner, Yuki Kimura, Vera Palme, Nora Schultz, Jack Smith;
and by Rosa Aiello, Carter Frasier, María Galindo, Samuel Jeffery & Daniel Herleth,
Elisa R. Linn, Paul B. Preciado, and Haytham El-Wardany
introducing new columnists: Mihaela Chiriac, Michèle Graf & Selina Grüter, Julia Jung,
The Parliament of Bodies, and Ulla Rossek
and our columnists: Tenzing Barshee, Gerry Bibby, Mercedes Bunz, David Bussel,
Eric D. Clark, Jay Chung, Hans-Christian Dany with Valérie Knoll, Francesca Drechsler,
Stefanie Fezer & Vera Tollmann, Julian Göthe, Karl Holmqvist, Stephan Janitzky,
Jakob Kolding, Lars Bang Larsen, Ariane Müller with Huang Rui, Robert M. Ochshorn,
Mark von Schlegell, Max Schmidtlein, Amelie von Wulffen, and Florian Zeyfang
and artworks by Melvin Edwards, Elizabeth Ravn, Nong Shoahua, and Mark van Yetter
Dear friends,
However much previous iterations may have joyfully detoured, escaping the suggestion of an introduced preoccupation, slipping into other orbits, we did not enter into this issue with a central theme. #19's prefered entry into this nominally new decade is with a de-centred face, including a slight shift/glitch in our format that's been around since Henrik and Nikola set re-start on the magazine. Borrowed from the new or old, or projecting an altogether non-face, this might be a mask if we're to take Jack Smith's lead. If it has organs that better sense the world around it differently, these might be submerged, sensing other spaces, as Nora Schultz's cover and contribution reminds us. Swimming throughout these pages, fragments of surfacing whales
make contact with a conversation between women who talk about women; confront the social deviations of a (dis)behaving inside outsider; locate the violence of a cage designed for a worker's optimized productivity from a distance... & even senses a lamenting allegory about dogs in a desert without language. Before returning to what lies beneath the surface, leaving it for the activities of painters and poets.
Gerry Bibby, Mihaela Chiriac, Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen
(from the editorial)
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