{"title":"Books","description":"","products":[{"product_id":"paper-revolution-an-invisible-avant-garde-sarah-e-james","title":"Paper Revolutions: An Invisible Avant-Garde - Sarah E. James","description":"\u003cp\u003eThe experimental practices of a group of artists in the former East Germany upends assumptions underpinning Western art's postwar histories.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003ePaper Revolutions\u003c\/em\u003e, Sarah E. James offers a radical rethinking of experimental art in the former East Germany (the GDR). Countering conventional accounts that claim artistic practices in the GDR were isolated and conservative, James introduces a new narrative of neo-avantgarde practice in the Eastern Bloc that subverts many of the assumptions underpinning Western art's postwar histories. She grounds her argument in the practice of four artists who, uniquely positioned outside academies, museums, and the art market, as these functioned in the West, created art in the blind spots of state censorship. They championed ephemeral practices often marginalized by art history: postcards and letters, maquettes and models, portfolios and artist's books. Through their “lived modernism,” they produced bodies of work animated by the radical legacies of the interwar avant-garde.\u003c\/p\u003e\n\u003cp\u003eJames examines the work and daily practices of the constructivist graphic artist, painter, and sculptor Hermann Glöckner; the experimental graphic artist and concrete and sound poet Carlfriedrich Claus; the mail artist, concrete poet, and conceptual artist Ruth Wolf-Rehfeldt; and the mail artist, “visual poet,” and installation artist Karla Sachse. She shows that all of these artists rejected the idea of art as a commodity or a rarefied object, and instead believed in the potential of art to create collectivized experiences and change the world. James argues that these artists, entirely neglected by Western art history, produced some of the most significant experimental art to emerge from Germany during the Cold War.\u003c\/p\u003e\n\u003cp\u003ePublished by The MIT Press\u003cbr\u003eEnglish\u003cbr\u003e 400 pages\u003cbr\u003e ISBN: 978-0-262-04656-5\u003cbr\u003e23.5 × 18.5 cm\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752773296307,"sku":"chertlueddebooks-1034655","price":34.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_d0a40cab-f2b2-4a32-a937-d509e9fa8175.jpg?v=1661428866"},{"product_id":"parallel-public-experimental-art-in-late-east-germany-sara-blaylock","title":"Parallel Public: Experimental Art in Late East Germany - Sara Blaylock","description":"\u003cp\u003eHow East German artists made their country's experimental art scene a form of (counter) public life.\u003c\/p\u003e\n\u003cp\u003eExperimental artists in the final years of the German Democratic Republic did not practice their art in the shadows, on the margins, hiding away from the Stasi's prying eyes. In fact, as Sara Blaylock shows, many cultivated a critical influence over the very bureaucracies meant to keep them in line, undermining state authority through forthright rather than covert projects. In \u003cem\u003eParallel Public\u003c\/em\u003e, Blaylock describes how some East German artists made their country's experimental art scene a form of (counter) public life, creating an alternative to the crumbling collective underpinnings of the state.\u003c\/p\u003e\n\u003cp\u003eBlaylock examines the work of artists who used body-based practices—including performance, film, and photography—to create new vocabularies of representation, sharing their projects through independent networks of dissemination and display. From the collective films and fashion shows of Erfurt's Women Artists Group, which fused art with feminist political action, to Gino Hahnemann, the queer filmmaker and poet who set nudes alight in city parks, these creators were as bold in their ventures as they were indifferent to state power.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eParallel Public\u003c\/em\u003e is the first work of its kind on experimental art in East Germany to be written in English. Blaylock draws on extensive interviews with artists, art historians, and organizers; artist-made publications; official reports from the Union of Fine Artists; and Stasi surveillance records. As she recounts the role culture played in the GDR's rapid decline, she reveals East German artists as dissenters and witnesses, citizens and agents, their work both antidote to and diagnosis of a weakening state.\u003c\/p\u003e\n\u003cp\u003ePublished by The MIT Press\u003cbr\u003eEnglish\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e328 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eISBN: 9780262046633\u003cbr\u003e\u003c\/span\u003e23.5 × 18.5 cm (9 ¼ × 7 ¼ inches)\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752773460147,"sku":"chertlueddebooks-1034699","price":34.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_811132df-4047-41a1-b909-38dab929a24b.jpg?v=1661428867"},{"product_id":"temporary-monuments-work-by-rosemary-mayer-1977-1982-rosemary-mayer","title":"TEMPORARY MONUMENTS: WORK BY ROSEMARY MAYER, 1977-1982 - Rosemary Mayer","description":"\u003cp\u003eEdited by Marie Warsh and Max Warsh. Introduction by Gillian Sneed.\u003cbr\u003e\nPaperback. Full color, 152 pages\u003c\/p\u003e\n\u003cp\u003e9 ¾ × 7 ¾ inches (24.77 × 19.69 cm)\u003c\/p\u003e\n\u003cp\u003eRosemary Mayer (1943–2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures—inspired by the lives of historical women—and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects “temporary monuments,” and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature.\u003c\/p\u003e\n\u003cp\u003eTemporary Monuments: Work by Rosemary Mayer, 1977­–1982 is the first comprehensive presentation of this body of work and includes Mayer’s documentation of these impermanent artworks. Mayer created photographs, writings, artists’ books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and ‘80s and argues that Mayer’s public art anticipated more recent practices of site-specific and socially engaged art.\u003c\/p\u003e\n\u003cp\u003eMARIE WARSH is a historian and writer who works for the Central Park Conservancy in New York City. She has edited two other publications on Rosemary Mayer: Excerpts from the 1971 Journal of Rosemary Mayer (2017) published by Object Relations and Rosemary Mayer: Beware of All Definitions (2017) a catalogue for a show at the Lamar Dodd School of Art at the University of Georgia, Athens.\u003c\/p\u003e\n\u003cp\u003eMAX WARSH is an artist and curator who lives and works in New York City. He is the Associate Program Director for the New Art Dealers Alliance (NADA), and was a co-founder of the artist-run gallery Regina Rex. He received his MFA in Photography from the University of Illinois at Chicago in 2004, and his BA from Sarah Lawrence College in 2002. His work was recently exhibited at the Queens Museum, the Brooklyn Academy of Music (BAM) and the Sirius Arts Centre in Cobh, Ireland.\u003c\/p\u003e\n\u003cp\u003eGILLIAN SNEED is an art historian and writer whose research interests include women’s art practices and modern and contemporary art of the Americas. Her writings have appeared in publications including Women’s Art Journal, Flash Art, Art in America, Texte zur Kunst, and The Brooklyn Rail. She is a Ph.D. candidate in art history at the Graduate Center of the City University of New York.\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752779980979,"sku":"chertlueddebooks-1001457","price":28.04,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/000519842_20200905134615_IMG_0665.jpg?v=1656624757"},{"product_id":"image-bank-postcard-show-vincent-trasov","title":"Image Bank Postcard Show - Vincent Trasov","description":"\u003cp\u003e49 postcards by 49 artists in a box. Includes a “post cut” by Gordon Matta-Clark. Other artists include Vito Acconci, Mac Adams, Eleanor Antin, Robert Cumming, Robert Filliou, General Idea, Geoffrey Hendricks, Dick Higgins, Ray Johnson, Alison Knowles, Rickard Kostelanetz, Les Levine, Sol LeWitt, Robert Mapplethorpe, Hermann Nitsch, Tom Phillips, Yvonne Rainer, Edward Ruscha, Ben Vautier and others.\u003c\/p\u003e\n\u003cp\u003ePublisher: Image Bank\u003cbr\u003e Vancouver, Canada\u003cbr\u003e16 × 10.5 cm (6 ¼ × 4 ⅛ inches)\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752783225011,"sku":"chertlueddebooks-1001352","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_b0c9f10a-894f-400a-afc3-52d31ad869da.jpg?v=1656624920"},{"product_id":"ha-lar-ege-berensel","title":"HA’LAR, by Ege Berensel (BAS – İstanbul Sanat Araştırmaları Derneği)","description":"\u003cp\u003e60 process poems, written in the period from 1990 to 2000, all but a few of which were typed on Oliver Courier and Remington Rand typewriters, which constantly reference the tradition of concrete poetry and are made up of variations of processed poems by pioneering poets like Ruth Wolf-Rehfeldt, Claus Bremer, Yüksel Pazarkaya and Ernst Jandl.\u003c\/p\u003e\n\u003cp\u003eHa… In Turkish, this word is an interjection that has multiple meanings and may express astonishment, warning, endeavour, affirmation or inquiry… Then, there is also the ‘ha’ in the word ‘hayır’… Hayır, in fact, stems from the Arabic word xayr (hay’r), meaning goodness, or better, hayır was used in 17th century Ottoman along with the negatory word yok [absent] as a euphemism, a rhetorical device, in the form, ‘yok hayır‘ or ‘yo hayır‘… to mean, ‘my answer is negative, may the best come of this’… In time, ‘yo‘, or ‘yok‘ were dropped and ‘hayır‘ remained… ha’yır also means ‘ha poetry’… ‘yır‘ meaning poetry or eloquent expression in old Turkish… Besides, there is Fazıl Hüsnü Dağlarca’s book of poems ‘Hoo’lar’ -the plural of Hoo-, reminiscent of ha’lar, the plural of ha… Ha is ah written backwards, too…\u003c\/p\u003e\n\u003cp\u003ePublished by BAS – İstanbul Sanat Araştırmaları Derneği\u003cbr\u003e232 pages\u003cbr\u003eISBN: 978-9944-5030-8-2\u003cbr\u003e23 × 16 cm (9 × 6 ¼ inches)\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752783323315,"sku":"chertlueddebooks-1001358","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_e85e3b9a-50e5-4e55-b120-ed2fa1aaa237.jpg?v=1656624930"},{"product_id":"hand-of-the-spirit-documents-of-the-seventies-from-the-morris-trasov-archive-michael-morris-vincent-trasov","title":"Hand of the spirit. Documents of the Seventies from the Morris\/Trasov Archive, by Michael Morris, Vincent Trasov (Vancouver University of British Columbia Fine Arts Gallery)","description":"\u003cp\u003ePublished by Vancouver University of British Columbia Fine Arts Gallery\u003cbr\u003e ISBN: 0-88865-249-1\u003cbr\u003e16 × 10.5 cm \u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752784076979,"sku":"chertlueddebooks-1001353","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_9eb1a967-0850-44a9-b714-592f84a7924f.jpg?v=1656624967"},{"product_id":"tabuzonen-annette-frick","title":"Tabuzonen - Annette Frick","description":"\u003cp\u003ePublished by Kölnischen Galerie des Kölnischen Stadtmuseums\u003cbr\u003e\n62 pages\u003c\/p\u003e\n\u003cp\u003e24 × 17 cm (9 ½ × 6 ¾ inches)\u003c\/p\u003e\n\u003cp\u003eKatalog zur Ausstellung vom 15.03.-04.05.1997 in der Kölnischen Galerie des Kölnischen Stadtmuseums.\u003c\/p\u003e\n\u003cp\u003eWith a text by Annette Frick.\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752786632883,"sku":"chertlueddebooks-1019395","price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_b3df217b-0262-46fa-9776-43266095b497.jpg?v=1656624971"},{"product_id":"how-sad-i-am-today-ray-johnson","title":"How Sad I Am Today, by Ray Johnson (University of British Columbia)","description":"\u003cp\u003eThis catalogue accompanied an exhibition of the same name at the Morris and Helen Belkin Art Gallery in Vancouver, Canada from October 8-December 19, 1999. Michael Morris and Sharla Sava curated the exhibition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe exhibition explored Johnson's impact on Canadian avant-garde artists: \"Inspired by Johnson's mail art communications, Canadian artists including Anna Banana, General Idea, Eric Metcalfe, Michael Morris, Vincent Trasov and Peter Schuyff could overstep the constraints of their geographic and cultural isolation and configure their own practice within the embattled terrain of the North American art world. The emergence of the Canadian avant-garde during the 1960's was shaped, in a critical and unmistakable way, by the universe which Johnson's mail art created.\" (text excerpted from www.belkin.ubc.ca)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eExhibition catalogue from the Morris and Helen Belkin Art Gallery (8 October–19 December 1999).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdited by Scott Watson\u003cbr\u003e Texts by Michael Morris, Sharla Sava, Peter Schuyff, Muffet Jones\u003cbr\u003ePaperback, 150 pages, b\/w and Colour\u003cbr\u003e ISBN: 0-88865-612-2\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752787452083,"sku":"chertlueddebooks-1001351","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_b0045768-6961-4511-b977-5d69235aae65.jpg?v=1656624975"},{"product_id":"midwinter-day-bernadette-mayer","title":"Midwinter Day - Bernadette Mayer","description":"\u003cp\u003ePerhaps Bernadette Mayer\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s greatest work, \u003cem\u003eMidwinter Day \u003c\/em\u003ewas written on December 22, 1978 at 100 Main Street, in Lennox, Massachusetts. \u003cmeta charset=\"utf-8\"\u003e“Midwinter Day,\u003cmeta charset=\"utf-8\"\u003e“ as Alice Notley noted, \u003cmeta charset=\"utf-8\"\u003e“is an epic poem about a daily routine.\u003cmeta charset=\"utf-8\"\u003e“ In six parts, \u003cem\u003eMidwinter Day \u003c\/em\u003etakes us from awakening and emerging from dreams through the whole day\u003cmeta charset=\"utf-8\"\u003e—morning, afternoon, evening, night\u003cmeta charset=\"utf-8\"\u003e—to dreams again: \u003cmeta charset=\"utf-8\"\u003e“…a plain introduction to modes of love and reason, \/ Then to end I guess with love, a method to this winter season \/ Now I\u003cmeta charset=\"utf-8\"\u003e’ve said this love it\u003cmeta charset=\"utf-8\"\u003e’s all I can remember \/ Of Midwinter Day the twenty-second of December.\u003cmeta charset=\"utf-8\"\u003e“\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e“The richness of life and time as they happen to us in tiny explosions all the time are grasped and held up for us to view in this magnificent work of prose and poetry that teaches us at the end why 'no one knows why \/ Nothing happens.'\u003cmeta charset=\"utf-8\"\u003e“\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e— John Ashbery\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e“One of the most interesting, exciting, and open of late-20th century experimental poets.\u003cmeta charset=\"utf-8\"\u003e“\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e— Tom Clark, \u003cem\u003eSan Francisco Chronicle\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e“Bernadette Mayer is one of the most original writers of her generation... All her work is full of brilliant observation, humorous and sometimes astounding conclusions, and amazing juxtapositions inspired by linguistic associations, patterns of movement, chance, mathematics, whim, and imagination.\u003cmeta charset=\"utf-8\"\u003e“\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e— Michael Lally, \u003cem\u003eThe Washington Post\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e“Love and the seasons and the exigencies and opportunities of daily survival are the inevitable occasions of a body of work that is as radical as it is Horatian, able as little else is both to delight and instruct.“\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e— Edwin Frank, \u003cem\u003eBoston Review\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by New Directions, 1999\u003cbr\u003eThe cover is a detail from a drawing by Rackstraw Downes\u003cbr\u003eCover design by Erik Rieselbach\u003cbr\u003ePaperbook, 120 pages\u003cbr\u003eISBN: 978-0-8112-1406-3\u003cbr\u003e15 × 23 cm (5 ⅞ × 9 inches)\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752787779763,"sku":"chertlueddebooks-1026472","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_0f0dcdfd-1f84-42a7-9ec3-8fa3058dd556.jpg?v=1656624979"},{"product_id":"anonyma-eine-frau-in-berlin-tagebuchaufzeichnungen-vom-20-april-bis-22-juni-1945","title":"Anonyma - Eine Frau in Berlin : Tagebuchaufzeichnungen vom 20. April bis 22. Juni 1945","description":"\u003cp\u003eIm Jahr 2003 erschienen die bewegenden Aufzeichnungen der Wochen vom 20. April bis zum 22. Juni 1945 – verfasst von einer Unbekannten: Eine Frau in Berlin.\u003cbr\u003e Die massenhafte Vergewaltigung von Frauen im besetzten Land durch Rotarmisten, die Rache der Sieger in den Ruinen von Berlin, berührte ein Tabuthema. Die Schreckenstage, festgehalten in Schulheften und auf Zetteln, erschütterten Zehntausende von Leserinnen und Lesern. Lakonisch wird von Bombenalarm, Hunger oder von Selbstmorden berichtet. Illusionslose Kaltblütigkeit, unbestechliche Reflexion, schonungslose Beobachtung und makabrer Humor zeichnen dieses Tagebuch aus.\u003cbr\u003e 1954 erschien »A Woman in Berlin« zuerst in den USA, ein Schweizer Verlag veröffentlichte 1959 eine erste deutschsprachige Ausgabe – einer neuen Publikation stimmte die Anonyma unter der Bedingung zu, dass diese erst nach ihrem Tod stattfinden dürfe. Nach dem Erscheinen von Eine Frau in Berlin kam es zu einer heftigen Diskussion um die Enthüllung der Identität der anonymen Autorin und über die Authentizität ihrer Aufzeichnungen.\u2028\u2028»Von eminentem historischen und literarischen Wert«  F.A.Z.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHardcover, bedruckter Papierbezug und Lesebändchen, Buchgestalterin: Katja Holst\u003cbr\u003eISBN: 9783847720096\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752789221555,"sku":"chertlueddebooks-1046963","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_ecc505c8-58c0-443f-9bea-dbb0e0a34e71.jpg?v=1656625007"},{"product_id":"you-killed-the-underground-film-or-the-real-meaning-of-kunst-bleibt-bleibt-wilhelm-hein","title":"You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... - Wilhelm Hein","description":"\u003cp\u003eThe texts in this book relate to Wilhelm Hein's eponymous film project, which he has been working on since 1989. 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Includes texts by Cecile Chich and Marc Siegel, an interview with Wilhelm Hein and photographs by Annette Frick.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOut of print.\u003cbr\u003ePublished by Passenger Books\u003cbr\u003e 120 pages\u003cbr\u003eISBN: 9783000203459\u003cbr\u003e21 × 15 cm (8 ¼ × 5 ⅞ inches)\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752789483699,"sku":"chertlueddebooks-1019324","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/000528744_20220317133403_IMG_1333.jpg?v=1656625020"},{"product_id":"bancor-gedichte-daniel-falb","title":"Bancor Gedichte, by Daniel Falb (Kookbooks)","description":"\u003cp\u003e'Der lyrische Text ist kein Ding, das über andere Dinge redet, sondern ein Ding, über das geredet werden kann.' \u003cbr\u003eIn seinen neuen Gedichten entwickelt Daniel Falb die lyrische Sprache seines ersten Bandes, 'die räumung dieser parks', konsequent weiter und präsentiert dichte, feingliedrige Skulpturen des Sozialen. 'BANCOR' - das auf die von John Maynard Keynes im Rahmen der Bretton-Woods-Konferenz 1944 vorgeschlagene Weltwährung anspielt - arbeitet an einer Neudefinition des politischen Gedichts als einem genuin ästhetischen Objekt, das die Sprache der Öffentlichkeit in der Öffentlichkeit des Gedichts seziert. 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Flip flops are one of the largest marine pollutants on the Indian Ocean beaches, nowadays there are several artisans in Kenya working on a recycling project of these materials, which started in late nineties initiated by marine conservationist Julie Church.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by Chert \u0026amp; Motto\u003cbr\u003e Print production by Szaransky Print Services\u003cbr\u003e Printed in Poland\u003cbr\u003e Text editing: Gabriella D'Annunzio, Alberta Romano\u003cbr\u003eSoftcover, 44 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN: 9782940524419\u003cbr\u003e22 x 16.5 cm\u003cbr\u003e\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752886837427,"sku":"chertlueddebooks-1015093","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/000526635_20220304123649_48.jpg?v=1656628556"},{"product_id":"fraustellungen-exercises-in-self-sabotage-kasia-fudakowski","title":"FRAUSTELLUNGEN: Exercises in Self Sabotage - Kasia Fudakowski (Chert \u0026 Motto Books)","description":"\u003cp\u003eFraustellungen is a non-collaborative publication by the artist Kasia Fudakowski and gallerist Jennifer Chert. 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Each side is designed respectively by artist and gallerist, demonstrating two opposing aesthetic approaches to the work, the tug of war of forced collaboration, and reinforces the blatant destructive nature of self-sabotage.\u003c\/p\u003e\n\u003cp\u003eTexts by Jacob Fabricius and Paul Haworth \u003cbr\u003e Published by Chert \u0026amp; Motto Books, Berlin\u003cbr\u003e Offset print, Embossed cover, Leporello, Printed in Poland\u003cbr\u003e ISBN: 978-2-940524-37-2\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752887427251,"sku":"chertlueddebooks-1001440","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/unnamed_b1f5eccb-d752-481c-8d03-e28195ffd541.jpg?v=1656628572"},{"product_id":"how-to-build-a-manifesto-for-the-future-of-a-festival-switch-the-scene-silvia-bottiroli-ed-marzia-dalfini-ed-giulia-polenta-ed","title":"How to build a manifesto for the future of a festival: Switch the Scene - edited by Silvia Bottiroli, Marzia Dalfini, and Giulia Polenta","description":"\u003cp\u003ePublication 2\/4 of the series 'How to build a manifesto for the future of a festival' by Silvia Bottiroli, Marzia Dalfini, Giulia Polenta. Festival internationale 10.07.2015 - 19.07.2015.\u003c\/p\u003e\n\u003cp\u003eHow do you actually put together a festival?\u003cbr\u003eWhat happens before the actors go on stage?\u003cbr\u003eWho are the actors involved\u003cbr\u003eand how do they contribute to the realization?\u003c\/p\u003e\n\u003cp\u003eHow to Build a Manifesto for the Future of a Festival tries to respond to these questions.\u003cbr\u003eThe editorial project, born out of an idea by Silvia Bottiroli and Giulia Polent, has a monthly format with four issues focusing on the Santarcangelo Festival.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover, 79 pages \u003cbr\u003e24 x 17 cm\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752887656627,"sku":"chertlueddebooks-1014805","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/000526470_20220303173344_40_3.jpg?v=1660992661"},{"product_id":"how-to-build-a-manifesto-for-the-future-of-a-festival-take-the-floor-silvia-bottiroli-ed-marzia-dalfini-ed-giulia-polenta-ed","title":"How to build a manifesto for the future of a festival: Take the Floor - edited by Silvia Bottiroli, Marzia Dalfini, and Giulia Polenta","description":"\u003cp\u003ePublication 3\/4 of the series 'How to build a manifesto for the future of a festival' by Silvia Bottiroli, Marzia Dalfini, Giulia Polenta. Festival internationale 10.07.2015 - 19.07.2015.\u003c\/p\u003e\n\u003cp\u003eHow do you actually put together a festival?\u003cbr\u003e What happens before the actors go on stage?\u003cbr\u003e Who are the actors involved\u003cbr\u003e and how do they contribute to the realization?\u003c\/p\u003e\n\u003cp\u003eHow to Build a Manifesto for the Future of a Festival tries to respond to these questions.\u003cbr\u003e The editorial project, born out of an idea by Silvia Bottiroli and Giulia Polent, has a monthly format with four issues focusing on the Santarcangelo Festival.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover, 72 pages \u003cbr\u003e 24 x 17 cm\u003c\/p\u003e","brand":"ChertLueddeBooks","offers":[{"title":"Default Title","offer_id":41752887689395,"sku":"chertlueddebooks-1014804","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/6571\/9987\/products\/000526450_20220303165428_38.jpg?v=1656628593"}],"url":"https:\/\/books.chertluedde.com\/collections\/books-manual.oembed?page=19","provider":"ChertLuedde Books","version":"1.0","type":"link"}